Загрузка...

AI-разбор доступен после входа

Суть книги, пересказ, главный конфликт, ключевые идеи, вывод, кому полезна, главные темы, персонажи и цитаты можно получить после входа в BookRa.

auto_awesomeПолучить AI-разбор

О книге

Дата написания1970-01-01
Язык книгиen
Возрастное ограничение0+
Жанры
зарубежная классиказарубежная старинная литература

Читать онлайн

Страница 4 из 29

"Humph!" he observed, nonchalantly. "What a useless ebullition, and what a vulgar display of temper! Really you are the most humorous insect I have yet encountered. From what part of the States do you come? I am truly interested to know in what kind of soil exotics of your peculiar kind are cultivated. Are you part of the fauna or the flora of your tropical States—or what?"

And then I realized the truth. There is no physical method of combating a ghost which can result in his discomfiture, so I resolved to try the intellectual. It was a mind-to-mind contest, and he was easy prey after I got going. I joined him in his blue smile, and began to talk about the English aristocracy; for I doubted not, from the spectre's manner, that he was or had been one of that class. He had about him that haughty lack of manners which bespoke the aristocrat. I waxed very eloquent when, as I say, I got my mind really going. I spoke of kings and queens and their uses in no uncertain phrases, of divine right, of dukes, earls, marquises—of all the pompous establishments of British royalty and nobility—with that contemptuously humorous tolerance of a necessary and somewhat amusing evil which we find in American comic papers. We had a battle royal for about one hour, and I must confess he was a foeman worthy of any man's steel, so long as I was reasonable in my arguments; but when I finally observed that it wouldn't be ten years before Barnum and Bailey's Greatest Show on Earth had the whole lot engaged for the New York circus season, stalking about the Madison Square Garden arena, with the Prince of Wales at the head beating a tomtom, he grew iridescent with wrath, and fled madly through the wainscoting of the room. It was purely a mental victory. All the physical possibilities of my being would have exhausted themselves futilely before him; but when I turned upon him the resources of my fancy, my imagination unrestrained, and held back by no sense of responsibility, he was as a child in my hands, obstreperous but certain to be subdued. If it were not for Mrs. Jarley's wrath—which, I admit, she tried to conceal—over the damage to her divan, I should now look back upon that visitation as the most agreeable haunting experience of my life; at any rate, it was at that time that I first learned how to handle ghosts, and since that time I have been able to overcome them without trouble— save in one instance, with which I shall close this chapter of my reminiscences, and which I give only to prove the necessity of observing strictly one point in dealing with spectres.

It happened last Christmas, in my own home. I had provided as a little surprise for my wife a complete new solid silver service marked with her initials. The tree had been prepared for the children, and all had retired save myself. I had lingered later than the others to put the silver service under the tree, where its happy recipient would find it when she went to the tree with the little ones the next morning. It made a magnificent display: the two dozen of each kind of spoon, the forks, the knives, the coffee-pot, water -urn, and all; the salvers, the vegetable-dishes, olive-forks, cheese-scoops, and other dazzling attributes of a complete service, not to go into details, presented a fairly scintillating picture which would have made me gasp if I had not, at the moment when my own breath began to catch, heard another gasp in the corner immediately behind me. Turning about quickly to see whence it came, I observed a dark figure in the pale light of the moon which streamed in through the window.

"Who are you?" I cried, starting back, the physical symptoms of a ghostly presence manifesting themselves as usual.

"I am the ghost of one long gone before," was the reply, in sepulchral tones.

I breathed a sigh of relief, for I had for a moment feared it was a burglar.

"Oh!" I said. "You gave me a start at first. I was afraid you were a material thing come to rob me." Then turning towards the tree, I observed, with a wave of the hand, "Fine lay out, eh?"

"Beautiful," he said, hollowly. "Yet not so beautiful as things I've seen in realms beyond your ken."

And then he set about telling me of the beautiful gold and silver ware they used in the Elysian Fields, and I must confess Monte Cristo would have had a hard time, with Sindbad the Sailor to help, to surpass the picture of royal magnificence the spectre drew. I stood inthralled until, even as he was talking, the clock struck three, when he rose up, and moving slowly across the floor, barely visible, murmured regretfully that he must be off, with which he faded away down the back stairs. I pulled my nerves, which were getting rather strained, together again, and went to bed.

Next morning every bit of that silver-ware was gone; and, what is more, three weeks later I found the ghost's picture in the Rogues' Gallery in New York as that of the cleverest sneak-thief in the country.

All of which, let me say to you, dear reader, in conclusion, proves that when you are dealing with ghosts you mustn't give up all your physical resources until you have definitely ascertained that the thing by which you are confronted, horrid or otherwise, is a ghost, and not an all too material rogue with a light step, and a commodious jute bag for plunder concealed beneath his coat.

"How to tell a ghost?" you ask.

Well, as an eminent master of fiction frequently observes in his writings, "that is another story," which I shall hope some day to tell for your instruction and my own aggrandizement.

Страница 4 из 29

Назад1…345…29Далее

Вам также может понравиться

Человек-зверь — обложка книги

Человек-зверь

Эмиль Золя

Фараон — обложка книги

Фараон

Болеслав Прус

Хагакурэ, или Сокрытое в листве — обложка книги

Хагакурэ, или Сокрытое в листве

Цунэтомо Ямамото

Сон в летнюю ночь — обложка книги

Сон в летнюю ночь

Уильям Шекспир

Нана — обложка книги

Нана

Эмиль Золя

Золотой осел — обложка книги

Золотой осел

Луций Апулей

Ромео и Джульетта — обложка книги

Ромео и Джульетта

Уильям Шекспир

Гамлет, принц Датский — обложка книги

Гамлет, принц Датский

Уильям Шекспир

Монахиня — обложка книги

Монахиня

Дени Дидро

Доктор Паскаль — обложка книги

Доктор Паскаль

Эмиль Золя

Сон в красном тереме. Том 1 — обложка книги

Сон в красном тереме. Том 1

Лев Николаевич Меньшиков

Саламбо — обложка книги

Саламбо

Гюстав Флобер

Страница 1 из 195

Назад12…195Далее