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Дата написания1970-01-01
Язык книгиen
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I regret now that we did not include a stenographer among the necessaries of our spirit trips, for, as I look back upon that Italian tour, it was well worthy of preservation in book form, particularly Bragdon's contributions, which were so delightfully imaginative that I cannot but rejoice that he did not live to visit the scenes of which he so eloquently spoke to me upon that occasion. The reality, I fear, would have been a sore disappointment to him, particularly in relation to Venice, concerning which his notions were vaguely suggestive of an earthly floating paradise.

"Ah, Philip," he said, as we cast anchor one night in a little inlet near Milford, Connecticut, "I shall never forget Venice. This," he added, waving his hand over the silvery surface of the moonlit water—"this reminds me of it. All is so still, so romantic, so beautiful. I arrived late at night, and my first sensations were those of a man who has entered a city of the dead. The bustle, the noise and clatter, of a great city were absent; nothing was there but the massive buildings rising up out of the still, peaceful waters like gigantic tombs, and as my gondolier guided the sombre black craft to which I had confided my safety and that of my valise, gliding in and out along those dark unlit streams, a great wave of melancholy swept over me, and then, passing from the minor streets into the Grand Canal, the melancholy was dispelled by the brilliant scene that met my eyes—great floods of light coming from everywhere, the brilliance of each ray re-enforced by its reflection in the silent river over which I was speeding. It was like a glimpse of paradise, and when I reached my palace I was loath to leave the gondola, for I really felt as though I could glide along in that way through all eternity."

"You lived in a palace in Venice?" I asked, somewhat amused at the magnificence of this imaginary tour.

"Certainly. Why not?" he replied. "I could not bring myself to staying in a hotel, Phil, in Venice. Venice is of a past age, when hotels were not, and to be thoroughly en rapport with my surroundings, I took up my abode in a palace, as I have said. It was on one of the side streets, to be sure, but it was yet a palace, and a beautiful one. And that street! It was a rivulet of beauty, in which could be seen myriads of golden-hued fish at play, which as the gondola passed to and fro would flirt into hiding until the intruder had passed out of sight in the Grand Canal, after which they would come slowly back again to render the silver waters almost golden with their brilliance."

"Weren't you rather extravagant, Tom?" I asked. "Palaces are costly, are they not?"

"Oh no," he replied, with as much gravity as though he had really taken the trip and was imparting information to a seeker after knowledge. "It was not extravagant when you consider that anything in Venice in the way of a habitable house is called a palace, and that there are no servants to be tipped; that your lights, candles all, cost you first price only, and not the profit of the landlord, plus that of the concierge, plus that of the maid, plus several other small but aggravatingly augmentative sums which make your hotel bills seem like highway robbery. No, living in a palace, on the whole, is cheaper than living in a hotel; incidentals are less numerous and not so costly; and then you are so independent. Mine was a particularly handsome structure. I believe I have a picture of it here."

Here Bragdon fumbled in his satchel for a moment, and then dragged forth a small unmounted photograph of a Venetian street scene, and, pointing out an ornate structure at the left of the picture, assured me that that was his palace, though he had forgotten the name of it.

"By-the-way," he said, "let me say parenthetically that I think our foreign trips will have a far greater vraisemblance if we heighten the illusion with a few photographs, don't you? They cost about a quarter apiece at Blank's, in Twenty-third Street."

"A good idea that," I answered, amused at the thoroughness with which Bragdon was "doing" Venice. "We can remember what we haven't seen so very much more easily."

"Yes," Bragdon said, "and besides, they'll keep us from exaggeration."

And then he went on to tell me of his month in Venice; how he chartered a gondola for the whole of his stay there from a handsome romantic Venetian youth, whose name was on a card Tom had had printed for the occasion, reading:

GIUSEPPE ZOCCO

Gondolas at all Hours

Cor. Grand Canal and Garibaldi St

"Giuseppe was a character," Bragdon said. "One of the remnants of a by-gone age. He could sing like a bird, and at night he used to bring his friends around to the front of my palace and hitch up to one of the piles that were driven beside my doorstep, and there they'd sing their soft Italian melodies for me by the hour. It was better than Italian opera, and only cost me ten dollars for the whole season."

"And did this Giuseppe speak English, Tom?" I queried, "or did you speak Italian? I am curious to know how you got on together in a conversational sense."

"That is a point, my dear Phil," Bragdon replied, "that I have never decided. I have looked at it from every point of view, and it has baffled me. I have asked myself the question, which would be the more likely, that Giuseppe should speak English, or that I should speak Italian? It has seemed to me that the latter would be the better way, for, all things considered, an American produce-broker is more likely to be familiar with the Italian tongue than a Venetian gondola-driver with the English. On the other hand, we want our accounts of these trips to seem truthful, and you know that I am not familiar with Italian, and we do not either of us know that a possible Zocco would not be a fluent speaker of English. To be honest with you, I will say that I had hoped you would not ask the question."

"Well," I answered, "I'll withdraw it. As this is only a spirit trip we can each decide the point as it seems best to us."

"I think that is the proper plan," he said, and then, proceeding with his story, he described to me the marvellous paintings that adorned the walls of his palace; how he had tried to propel a gondola himself, and got a fall into the "deliciously tepid waters of the canal," as he called them, for his pains; and it seemed very real, so minute were the details into which he entered.

But the height of Bragdon's realism in telling his story of Venice was reached when, diving down into the innermost recesses of his vest pocket, he brought forth a silver filigree effigy of a gondola, which he handed me with the statement that it was for me.

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